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After one year of depositions, filings, briefs and discovery we all just wanted to move on. The FBI did not move forward with any form of investigation-in the end it was left to the lawyers to draw out an expensive, exhausting civil case. I was a minor at the time and therefore was not considered liable. Bryan charged that I had committed fraud and perjury regarding the specifics of my age. Together we endured the lawsuit and filed countersuit, citing Bryan’s claims against me as defamatory. Strong and loyal, Grant stood his ground and deflected attacks from Bryan. My actions were guided by a man, Grant Roy, with whom I’d fallen in love. By the time my partner, Grant Roy, and I were served papers for a million-dollar lawsuit, Chad Belville had ceased representation.īryan’s arrogance governed his choices. Pacific Sun refused to sell another Brent Corrigan DVD until Bryan and I had worked out whatever we were going through. Cobra Video distributor Pacific Sun pulled all of Bryan’s releases of Brent Corrigan (underage and of age) upon receiving documentation from Belville that proved I was underage in the DVDs. Belville went ahead to draft aggressive letters that would only embolden Bryan Kocis. He offered to represent me as I prepared to contend with Bryan Kocis and address the matter of my underage content proactively with the industry. One of those “scavengers” was an attorney named Chad Belville. He was disgruntled that I had not kept our secret better. As if they could smell the proverbial rotting leftovers of scandal on the verge of coming out, vultures circulating overhead made their move.
As I came of age on set it was the production and equipment that fascinated me.īy 2005, details about my start in porn began to percolate. Porn was never meant to become a lifelong career choice. I was a young man fighting to define who I was and who I wanted to become, with Bryan leering over me. In no way am I proud of my underage work and have worked hard to show that I respect and value this industry.īy the time I turned eighteen, Bryan had coerced me into a sexual relationship. Simply put, Bryan was aware of my age before filming and moved forward with production despite the formalities. My experience working underage for Bryan is fairly well documented. It starts with my first shoot for Cobra on February 3, 2004.
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It’s a tedious and maddening task abridging the series of events that led to Bryan Kocis’ murder.
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Bryan had a habit of cultivating inappropriate relationships with boys. The real Bryan specialized in the production of bareback gay porn featuring young men who looked way too young to be legal. He owns, produces, films and edits all content for his studio, Cobra Video. In Franco’s film, the character based on Bryan Kocis (played by Christian Slater) is a loner. It haphazardly depicts the story of a young man growing up too fast as he’s caught in the crosshairs of two feuding gay porn companies. are just three LGBT films Franco has made. With several credits as an actor and producer on films with gay subject matter, Franco seems unconcerned about a pattern of behavior that might call his sexual orientation into question. James, rumored to be gay for years, is not like the typical Hollywood leading man. James Franco’s borderline obsession with gay culture is no secret. Spearheading the project (as producer and star) was actor James Franco. In July 2016 I was made aware of a film being made about me, my shameful underage stint in porn, and the murder of Cobra Video owner Bryan Kocis. My past has played an integral role in my career as an adult star, producer and actor in LGBT mainstream films.
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Infamous and not famous at all, I have been referred to by many in the mainstream vein of the adult industry as “the Traci Lords of gay porn.” This is only one element of a salacious true-life tale of porn, money, murder and desperation. Most know me as “Brent Corrigan.” You likely have never heard of me. This article originally ran in the January 2017 issue of AVN.